Divergent Review

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Via thereelword.net

From the creator of sci-fi thriller Limitless and period drama The Illusionist, comes Divergent, comes an adaptation of the YA novel by Veronica Roth. Set in a post-apocalyptic world, as has been the trend in recent years, this society is divided into five factions: Amnesty (happy people), Candor (the eternally honest), Erudite (knowledge seekers), Abnegation (selfless) and Dauntless (the fearless). A young woman named Tris (Shailene Woodley), fights against the structure of her world when she learns that, as a Divergent, she doesn’t fit into any of the five factions she’s been raised to.

Unfortunately, this film fits perfectly into its cookie-cutter mold. At its core, Divergent is a coming of age story about a young woman truly finding herself. There’s nothing wrong with that, but the message to be yourself is all but presented in bright flashing letters at the bottom of the screen. The irony of this film promoting individualism, whilst giving the audience a case of déjà vu for films gone by (The Hunger GamesTwilightI Am Legend anyone?), should be lost on no one.

While Woodley gives a phenomenal performance, delivering the deadpan sarcasm of her character and truly engaging the audience in Tris’s pain, it can’t make up for the predictability of the story. The antagonist is the system itself (and its representatives), but the story arch seamlessly hits the stages of every other “find yourself” flick there is. Girl steps outside comfort zone, wonders if she’s made the right choice, is encountered with obstacles, overcomes said obstacles, somewhere along the way a boy enters the picture, etc. Even the romance is lacking, as there is little about Four (Theo James) that convinces us of his love for Tris. James adequately portrays Four’s tough exterior and makes him likeable as someone who would probably do the right thing, but that’s about as far as the character’s depth goes.

The news isn’t all bad though. There are some good laughs to be had in an otherwise solemn action flick, and the casting gets an all around A+. Tony Goldwyn and Ashley Judd play Tris’ parents and Abnegation natives in performances that bring depth and love to their characters. On the opposing side are Kate Winslet and Jai Courtney rounding out the “bad guys” as Jeanine and Eric. While this certainly isn’t the highlight of Winslet’s esteemed career, she does a reasonable job of making you question her motives, and Courtney does the job of ensuring the audience fully supports the idea of punching him in the face throughout the film.

In all, this film is worth seeing purely for the performance from Woodley and the rest of the cast, but the storyline is overfamiliar and doesn’t exactly flow seamlessly. I can’t stress my love for Woodley enough in this role, and any fans of hers will surely like the film, if only for her sake. If you’re not sure, see it and see if she wins you over too.

THE REEL SCORE: 6/10

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